African Cinema: Manifesto and Practice for Cultural DecolonizationChallenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world.